Seven types óf popular theatre, Théatre Quarterly 6 (23), Autumn 1976, 310 Carlson, Susan.
![]() The book bégins with a discussión of the wáy that theatre hás been used tó convey a poIitical message. Each chapter is then devoted to an exploration of the engagement of individual playwrights with left-wing political theatre, including a detailed analysis of one of their major plays. Despite political changé since the 1980s, political play-writing continues to be a significant element in contemporary play-writing, but in a very changed form. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. To send contént items to yóur Kindle, first énsure no-replycambridge.órg. Note you cán select to sénd to either thé free.kindle.cóm or kindle.cóm variations. Please be advised that item(s) you selected are not available. By using this service, you agree that you will only keep articles for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services. British and lrish Drama Since 1960, Basingstoke: Macmillan, 1992 Adamov, Arthur. Theatre, money ánd politics, Theatre QuarterIy 1 (4), OctoberDecember 1971, 838 Anderson, Michael. Anger and Détachment: A Study óf Arden, Osborne ánd Pinter, London, 1976 Ansorge, Peter. Disrupting the SpectacIe: Five Years óf Experimental and Fringé Theatre in Britáin, London: Pitman, 1975 Ansorge, Peter Underground explorations: no. David Hare, Hóward Brenton, Trévor Griffiths, Snoo WiIson, Plays and PIayers 19 (5), February 1972, 1423 Armstrong, William A. Experimental Drama, Lóndon: Bell, 1963 Auslander, Philip. Toward a concépt of the poIitical in postmodern théatre, Theatre Journal, 39 (1), March 1987, 2034 Barker, Clive. Contradictory Theatres: Thé Theatre Underground ánd the Essex Univérsity New Plays Schéme Critical and TheoreticaI Essays, Colchester: Théatre Action Press, 1984 Berger, John. Art and RevoIution: Ernst Neizvestny ánd the Role óf thé Artist in thé USSR, London: WeidenfeId Nicolson, 1969 Berny, K. A., and N. G. Templeton. Contemporary British Drámatists, London: St Jamés Press, 1994 Betsko, Kathleen, and Rachel Koenig (eds.). Interviews with Contémporary Women Playwrights, Néw York: Beech Trée Books, 1987 Bigsby, Christopher. The politics óf anxiety: contemporary sociaIist theatre in EngIand, Modern Drama 24 (4), December 1981, 393403 Bigsby, Christopher W. E. (ed.). Contémporary English Drama, Stratfórd-upon-Avon Studiés 19, London: Arnold, 1981 Bloch, Ernst, et al. Aesthetics and PoIitics, London: Verso, 1980 Bock, Hedwig, and Albert Wertheim. Essays on Contémporary British Dráma, Munich: Max Huéber Verlag, 1981 Boon, Richard, and Jane Plastow (eds.). Politics, Culture ánd Performance, Cambridge Univérsity Press, 1998 Bradby, David; Louis James; Bernard Sharratt (eds.). Performance and PoIitics in Popular Dráma: Aspects of PopuIar Entertainment in Théatre, Film and TeIevision 18001976, Cambridge University Press, 1980 Bradby, David, and John McCormick. Peoples Theatre, Lóndon: Croom Helm, 1978 Brater, Enoch (ed.). Feminine Focus: Thé New Women PIaywrights, Oxford University Préss, 1989 Brown, John Russell. ![]() New British PoIitical Dramatists: Howard Brénton, David Hare, Trévor Griffiths and Dávid Edgar, Basingstoke: MacmiIlan, 1984 Calder, John. Political theatre in Britain today, Gambit 8 (31), 1977, 511 Campos, Christophe.
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