Making tracks 3, 5, and 6 ballads was pretty bad track placement.
![lyrics to halestorm innocence lyrics to halestorm innocence](https://www.chords.vip/images/song-lyrics/chord_i-like-it-heavy_halestorm.jpg)
Familiar Taste of Poison sounds like a more interesting Evanescence, and it works, but its placement before I’m Not An Angel, another ballad, makes this stretch of the album drag. Clarkson’s not a bad vocalist to be compared to, but whether this is a good or bad thing I’ll leave to you to decide. Bet U Wish U Had Me Back sounds like a moodier Kelly Clarkson, both in the title and Lzzy’s performance (but mainly just in the chorus). Closer Nothing to Do With Love ends the album just as rockin’ as it started with another solid performance from the band.Īs expected, the band drops the tempo a few times for some good ol’ power ballads. The guitar solo is well placed, and doesn’t go a second longer than it needs to. Not to mention the fact that the repeated pre-chorus of “Give it all away, take it all away” is about the catchiest moment on the whole album. Lzzy’s shows off her range, hitting highs and lows in the verses and bringing it back for her signature powerhouse style in the chorus. The biggest highlight here, however, is Love-Hate Heartbreak here the whole band is on top of their game. When the band drops out for a second after the bridge, she lets out a powerful high note, probably her best moment on here. Again, the star here is Lzzy, and her vocals here are once again nearly flawless. Innocence is a pleasant surprise: Joe provides a better-than-average performance here with more active guitar riffs in the verses, and his playing in the solo-less bridge is quite nice. Musically it’s actually a bit weak compared to most of the other rockers here, the solo is a bit sloppy as well, but Lzzy’s vocals make up for this. Lzzy’s vocals are among their strongest in the chorus here. Single I Get Off grabs attention with its acknowledgement of the often strange nature of attraction. Lzzy shows off a self-confident (but not obnoxious) attitude as she belts out “I’m in love with somebody… and it’s not you”, and delivers these lines with an irresistible charm.
![lyrics to halestorm innocence lyrics to halestorm innocence](https://i.ytimg.com/vi/dSiBds_bWm0/maxresdefault.jpg)
Opener It’s Not You gets right to business with a fast and heavy-but-not-too-heavy chugging riff that leads into Lzzy’s powerhouse vocals. The band shines best when they deliver the straight-forward hard rock numbers. Arejay Hale provides solid support behind the drumkit, and Josh Smith’s bass work doesn’t stand out but it doesn’t need to. While he doesn’t necessarily offer anything new or ground-breaking, he compliments Lzzy’s style very well, and his playing is effective for the most part.
![lyrics to halestorm innocence lyrics to halestorm innocence](http://images6.fanpop.com/image/articles/234000/lzzy-hale_234037_top_full.jpg)
Guitarist Joe Hottinger provides a solid performance throughout, delivering driving riffs and short flashy solos that are definitely reminiscent of the 80’s.
![lyrics to halestorm innocence lyrics to halestorm innocence](https://www.monsterenergy.com/media/uploads_image/2016/06/03/1600/800/164cb59aa0ae635c00eb98e2aaa2df4c.jpg)
Her vocals are what make this band, but that isn’t to say the rest of the band is untalented. Her vocals soar in this album, and make her easily the most stand-out member in this group.
#LYRICS TO HALESTORM INNOCENCE FULL#
She delivers a powerhouse performance full of attitude reminiscent of Pat Benatar, a very refreshing quality in a female modern rock singer. Lzzy Hale has a powerful voice, and she uses it to the fullest on Halestorm’s debut. Review Summary: Halestorm offer a slice of throwback 80’s hard rock with a modern twist, and the result is hard not to like.